 |
 |
 |
|
CULTURAL NIGHT
SRI LANKAN DANCE TO THE WORLD |
|
 |
|
Organized by
Western & Southern
Province
Cultural Centres,
Ministry of Cultural Affairs |
|
Every Fort Night at
the following Centres
|
Open Air Theatre of Court
Complex, Galle District
on
1st March 2008 at 6.30
p.m. |
Lions Club Hall, Hikkaduwa
on
2nd March 2008 at 6.30
p.m.
|
|
Kalawila Watta Ground, Beruwela on
14th
March 2008
at 6.30 p.m. |
|
|
|
Items of the Show |
 |
Magul Bera and Pooja Dance
Presentations of
ceremonial drums. Every auspicious occasion is heralded by the beating
of drums the MAGUL BERA. Immediately
following is another traditional dance of invocation performed on
similar occasions. Here the performers invoke the blessings of the
guardian deities of the land. This dance is known as
POOJA.
|
|
|
Ves Dance
|
Ves is characteristic
traditional attire of the Kandyan Dancer. Basically classical in
concept. The dancer displays intricate rhythmic patterns rising to
vigorous and lively climax. The headdress and the costume are visually
attractive and the movements are pure Kandyan forms. The dancers are
usually accompanied by one or more Kandyan drummers. It takes several
years of rigorous training before a dancer could achieve the status of
prominent VES
dancer.
|
 |
|
 |
Goyam KULU DANCE
Goyam kulu dance has
been in association with the agricultural life of people. This
spectacular dance is accompanied by recital of songs. Various phases of
paddy cultivation are depicted by this dance.
|
|
|
THELME
|
Thelme is the
brilliant expression of the pure rhythmical and classical dance from the
low country tradition. It is a dance that highlights the ritual known as
DEVOL MADUWA
performed in honor of GODDESS PATHTHINI.
|
 |
|
 |
GINI SISILA
A dance with the
fire. Gini is Sinhala word for fire. His dance depicts exorcistic
rituals in Southern province of Sri Lanka. The dancer plays with two
torches (PANDAMA)
rubbing them on his body and putting them in his mouth.
|
|
|
VADIGA PATUNA DANCE
|
This is one of the
brilliant and colorful items of the low country dance forms. The dancer
disguises himself as a Brahmin or sage and comes to the arena and
blesses to all the spectators.
|
 |
|
|

NAGA AND
GURULA
This is an authentic example of typical symbolic mask
performance in Sri Lanka which is an integral [art of the traditional folk
theatre-known as KOLAM.
These performances usually last through out the night. This dance portrays
the conflict between the GURULA
(Sanskrit GARUDA)
and the cobra. The sequence becomes dramatic with the arrival of the
dreadful bird GURULA
in pursuit of the NAGA
(Cobra) princess. After a violent clash, the cobra succumbs to powerful
GURULA. At
this moment the princess dies performing the final dance of anguish. His
dance based purely on the techniques of low country dance and is sensual in
character. |
|
 |